Modern Essays 5
Graft

Researcher / Architect:
Aslıhan Demirtaş

Salt Ulus

September 26 – November 30, 2013

Karakaya Dam, 1999, Diyarbakır Photo: Aslıhan Demirtaş Karakaya Barajı, 1999, Diyarbakır
Fotoğraf: Aslıhan Demirtaş
Karakaya Dam, 1999, Diyarbakır
Photo: Aslıhan Demirtaş
Modern Essays 5: Graft, an investigation into the geographic, cultural and social impacts of the dam lakes in Turkey opens at SALT Ulus. Based on a research about the early Republican landscape projects in Ankara, Graft* is now on view in the capital.
To make a graft you need two plants. One plant is chosen for its roots. This plant is called the stock or understock. The other plant is chosen for its flowers, fruits or leaves and only its branches are used. This plant is called the scion. There are various methods of grafting but simply put, grafting is the insertion of desirable or desired genes to be duplicated in a new scion/stock plant. Plants selected for desirable characteristics that can be maintained by propagation are called cultivars and are used as scions. For a successful grafting the tissues of the plants must be in contact with each other and both plants need to be kept alive until the graft has taken. The joints that are formed by grafting are never strong as naturally occurring joints, therefore they remain as physical weak points.
1930s newspapers in Ankara often published articles and photographs celebrating Ankara’s “seas” and “shores” as “modern recreational spaces of the new capital.” Ankara, at the time, an arid, drought-ridden steppe, was grafted with these “shores” and “seas” which were, in fact, modern hydraulic infrastructures, part of the modernization project of the Turkish Republic: the reservoirs of the Atatürk Model Farm (Black Sea & Marmara Sea)—built for irrigation, the Çubuk Dam (“Bosporus of Ankara”)—built for potable water supply.
These modern projects of a “modern” geography are cultivars, propagated by grafting an Ottoman scion onto an Anatolian root: İstanbul’s waterfront geography, onto Ankara’s barren land. Despite being modern and with ties to the past ideologically severed, these new landscapes nevertheless regenerated the urban practices of the old capital in the new one. The singular Directorate of Public Works of the 1930s, which propagated the cultivars of Ankara, proliferated into a complex machine of multiple ministries and government organizations to develop regional development plans through the 1950s. As a result, the cultivar of Ankara was re-grafted all over the country. Multiplied in a massive scale on the riverbeds of Anatolia and Eastern Thrace, the cultivars, consequently, transformed and mutated into a wild species of aggressive and invasive nature.
Today, there are over 700 dam lakes in Turkey. Over 700 grafts.

Modern Essays 5: Graft will reveal the physicality of the grafts by investigating the dam lakes harvested in Turkey as well as their forerunners, the cultivars of Ankara.
Design and Research: Aslıhan Demirtaş Architecture, Design & Research Studio (Seçkin Maden, Yuvacan Atmaca)
Exhibition Graphics: Ali Cindoruk
Grafter Video Edit: Çağdaş Arpaç
Cultivator Video Edit: Mustafa Hazneci
Cultivator Camera: Göksel Oktay
Ankara Images: Turan Tanyer Archive, Necati Kazancı Archive, Aslıhan Demirtaş Archive
Production: Sani Karamustafa, Faruk Bilgi, Sefer Özden, Yavuz Gültekin, Ziya Selamet, Mustafa Bozkurt

Database
Interactive Database Programming: Kakare
Interactive Database: Filika Tasarım

Book of Dams
Text: Sibel Bozdoğan, Aslıhan Demirtaş
Translation: Pelin Derviş
Editor: Başak Çaka
Design: Ali Cindoruk
*Graft is an ongoing research project, which Aslıhan Demirtaş initiated as her master thesis in 1998 and later developed as part of SALT’s “Modern Essays” series. In 2013, Demirtaş received a Graham Foundation for Advanced Studies in the Fine Arts grant to continue her research and to produce the e-publication GRAFT in collaboration with SALT. The e-publication will culminate the investigations carried out in the exhibition Modern Essays 5: Graft at SALT about the technological water landscapes of the modernization project in Turkey.
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