L'Interna­tionale. Post-War Avant-Gardes Between 1957 and 1986

Bölümler:

• Museum of Parallel Narratives, Museu d'Art Contemporani de Barcelona (MACBA), Barcelona (2011)
• Museum of Affects, Moderna galerija, Ljubljana (2011 / 12)
• Prologue: L'Internationale
• Writing History Without a Prior Canon
• Histories and Their Different Narrators
• Approaching Art through Ensembles
• An Exercise in Affects
• What if the Universe Started Here and Elsewhere
• Age of Change
• Connect Whom? Connect What? Why Connect? The World System after 1945
• Recycling the R-waste (R is for Revolution)
• Art as Mousetrap: The Case of Laibach
• Should Ilya Kabakov Be Awakened?
• Forgotten in the Folds of History
• Is Spain Really Different?
• KwieKulik / Form is a Fact of Society
• Július Koller / Dialectics of Self-Identification
• Gorgona / Beyond Aesthetic Reality
• OHO / A n Experimental Microcosm on the Edge of East and West
• Jef Geys and Marinus Boezem / Taking Care of the Frame
• Paul De Vree and Toon Tersas / Hysteria Makes History
• Grup de Treball and Vídeo-Nou / Two Collective Projects in 1970s Spain
• Retroavantgarde
• "A HugeAmusement-Park Exhibition" / Vision in Motion (1959)
• Overcoming Alienation / New Tendencies (1961–1973)
• The Furor of the Festival / Los Encuentros de Pamplona (1972)
• The Avant-Garde, Sots-Art and the Bulldozer Exhibition of 1974
• Works and Words (1979) in the Shadow of I AM (1978)
• A European Institutional Effort / Art in Europe after '68 (1980) and Chambres d'Amis (1986)
• Southern–Eastern Contact Zones
• From the International to the Cosmopolitan
• "Global" Art
• Spirits of Internationalism, Van Abbemuseum, Eindhoven / Museum van Hedendaagse Kunst Antwerpen, Antwerpen