Point, Paste-up, Print!
Screening Program
Salt Beyoğlu
January 24 – February 2, 2025
![6 Graphic Means A History Of Graphic Design Production 6 <i>Graphic Means: A History of Graphic Design Production</i> [Grafik Araçlar: Grafik Tasarım Üretiminin Tarihi] (2017) filminden bir kare
©Briar Levi](/directus/media/thumbnails/6-graphic-means_a-history-of-graphic-design-production_6-jpg-780-5000-false.jpg)
Still from Graphic Means: A History of Graphic Design Production (2017)
©Briar Levit
©Briar Levit
Walk-in Cinema
Organized as part of the exhibition Designer’s Note, the screening program Point, Paste-up, Print! explores the significant changes in design since the 1980s. From manual work within conventional design practices to the advent of computerized technology, the program offers a close look at a transformative period that has shaped the evolving role of design in bookmaking. Featuring eight documentary films, the selection brings together diverse practices from North and South America, Europe, and the Far East.
This free-admission program will take place from January 24 to February 2 in the Walk-in Cinema at Salt Beyoğlu.
Point, Paste-up, Print! is programmed by Eda Sezgin together with Fatma Çolakoğlu from Salt.
Limited seats. No reservations.
PROGRAM
Friday, January 24
19.00 Graphic Means: A History of Graphic Design Production, Briar Levit, 2017, 84′
Saturday, January 25
14.00 Book-Paper-Scissors, Nanako Hirose, 2019, 94′
Thursday, January 30
19.00 Typeface, Justine Nagan, 2009, 59′
Friday, January 31
19.00 Hanzi, Mu-Ming Tsai, 2017, 57′
Saturday, February 1
14.00 Making Faces: Metal Type in the 21st Century, Richard Kegler, 2011, 45′
15.00 Los Últimos [Endless Letterpress], Nicolás Rodríguez Fuchs, Pablo Pivetta, 2019, 68′
16.30 Boom maakt boek [Boom Makes Book], Lex Reitsma, 2018, 55′
Sunday, February 2
15.00 Design is One: The Vignellis, Kathy Brew, Roberto Guerra, 2012, 86′
Organized as part of the exhibition Designer’s Note, the screening program Point, Paste-up, Print! explores the significant changes in design since the 1980s. From manual work within conventional design practices to the advent of computerized technology, the program offers a close look at a transformative period that has shaped the evolving role of design in bookmaking. Featuring eight documentary films, the selection brings together diverse practices from North and South America, Europe, and the Far East.
This free-admission program will take place from January 24 to February 2 in the Walk-in Cinema at Salt Beyoğlu.
Point, Paste-up, Print! is programmed by Eda Sezgin together with Fatma Çolakoğlu from Salt.
Limited seats. No reservations.
PROGRAM
Friday, January 24
19.00 Graphic Means: A History of Graphic Design Production, Briar Levit, 2017, 84′
Saturday, January 25
14.00 Book-Paper-Scissors, Nanako Hirose, 2019, 94′
Thursday, January 30
19.00 Typeface, Justine Nagan, 2009, 59′
Friday, January 31
19.00 Hanzi, Mu-Ming Tsai, 2017, 57′
Saturday, February 1
14.00 Making Faces: Metal Type in the 21st Century, Richard Kegler, 2011, 45′
15.00 Los Últimos [Endless Letterpress], Nicolás Rodríguez Fuchs, Pablo Pivetta, 2019, 68′
16.30 Boom maakt boek [Boom Makes Book], Lex Reitsma, 2018, 55′
Sunday, February 2
15.00 Design is One: The Vignellis, Kathy Brew, Roberto Guerra, 2012, 86′
